Here’s something I really believe: your photographer shouldn’t feel like a stranger who shows up on your wedding day with a camera and hopes for the best.
I want to know what you’re drawn to, what makes you feel like yourselves, and which photos you keep saving over and over. We’ll talk through your wedding, look at your Pinterest boards and mood boards, and figure out what you love about those images. Maybe it’s the movement, the fashion, the flash, the little bit of whimsy, or simply how comfortable the couple looks together.
My full day wedding packages also include an engagement session. Yes, you get great photos from it, but it’s also our chance to hang out before the wedding. You’ll learn how I work, I’ll learn how the two of you naturally interact, and by the wedding day we’re not starting from zero.
Think of the whole process as a collaboration. You bring your people, your ideas and everything that makes the day yours. I’ll bring the experience to help it photograph beautifully without taking you away from actually living it.
Because the goal isn’t to copy someone else’s Pinterest wedding. It’s to understand what you love about those photos and create something that feels even better because this time, it’s you in them.

You know the wedding photos. The bride looks incredible, but somehow it doesn’t look like she spent twenty minutes being posed. Her veil is moving, they’re laughing into each other, the flash photos look like they came from the best party you’ve ever been invited to, and everything feels chic without looking too perfect.
There’s a little whimsy, a little nostalgia, and a lot of personality.
Most importantly, the couple still looks like themselves.
If that’s what you’re constantly saving on Pinterest, Instagram and TikTok, here’s the secret: you don’t need to copy one specific wedding aesthetic to get it. The best wedding photos happen when you create a day that’s beautiful enough to inspire you, but relaxed enough to actually live in.
Chic wedding photography isn’t one specific editing style or pose. It’s more of a feeling. Beautiful without looking like you’re trying too hard.
Maybe it’s a clean portrait outside an estate with your veil catching the wind. Maybe it’s a direct flash photo with champagne in your hand. Maybe it’s the two of you walking back from your ceremony, still processing the fact that you actually just got married.
Chic doesn’t have to mean serious, and it definitely doesn’t mean spending your wedding day posing.
The sweet spot is having enough direction to look your best, then enough freedom to forget about the camera.

Start by telling your photographer how you want your photos to feel, instead of only showing them how you want your photos to look.
Rather than simply saying, “I want candid photos,” tell them something like, “I want to look amazing, but I don’t want to feel like we’re doing a photoshoot all day.” Or maybe, “I love beautiful portraits, but I want us to still look comfortable and like ourselves.”
That’s much more useful.
A good wedding photographer should know when to step in and fix your dress, give you somewhere to put your hands, find better light or help you move naturally. They should also know when to stop talking and let the two of you have a moment.
You shouldn’t have to choose between looking incredible and looking like yourself. You can have both.
Here’s something nobody really tells you about candid wedding photography: not every random photograph is automatically a good photograph.
The best candid wedding photos still depend on light, timing, composition and knowing where something is about to happen. Your photographer should be watching your mom’s face while you’re getting into your dress, your best friend’s reaction when she sees you, the look you give each other during the ceremony, and your friends absolutely losing it when their song comes on.
Those moments can’t really be recreated later.
The goal isn’t to photograph you at your most random. It’s to catch you at your most you.

Give yourself enough room to actually experience your wedding.
One of the easiest ways to make wedding photography feel stiff is to create a timeline where every minute has been assigned to another photograph. Instead, leave some breathing room. Hang out with your friends while you’re getting ready. Have a drink after the ceremony. Walk somewhere with your partner without immediately thinking about what pose you’re supposed to do next.
Some of my favorite photographs happen right after the “photo” is technically finished. Shoulders drop. Someone says something stupid. You start laughing. Your hands find each other again.
That’s usually the good stuff.
Editorial wedding photography takes some inspiration from fashion photography and magazines. Think strong compositions, intentional light, beautiful movement, interesting architecture and those photographs where you look like you somehow ended up in a bridal campaign.
But editorial doesn’t have to mean stiff.
My favorite approach is mixing those polished photographs with completely unplanned ones. We can take five minutes and make the gorgeous portrait you’ve been dreaming about, then you can go enjoy your wedding.
You don’t need four hours of portraits to have wedding photos that feel elevated.

Direct flash wedding photography has become one of the most recognizable wedding looks online, and for good reason. It brings this fun, slightly nostalgic fashion-party feeling to a gallery.
Flash works especially well while you’re getting ready, during cocktail hour, popping champagne, cutting the cake, sneaking outside for nighttime portraits and, obviously, once the dance floor gets going.
The trick is not using it for everything.
A few bold flash photographs mixed with natural light, movement and quieter images makes those photographs feel intentional instead of gimmicky. Think less school dance photographer and more someone important just walked into the party.
Sometimes, absolutely.
Intentional motion blur can make a photograph feel alive because you’re seeing the movement instead of freezing everything perfectly. A spinning dress, running through the street, your friends dancing around you, or the two of you moving through a packed reception can sometimes feel better with a little imperfection.
Those photographs aren’t supposed to replace the beautifully sharp images where you can see every detail.
They’re another layer.
Your wedding gallery can have both.
If you’re constantly saving those close, romantic photos underneath a long veil, tell your photographer before the wedding. Your veil can completely change a portrait.
A cathedral or longer veil creates movement, layers and soft light around your faces. You can stand underneath it together, walk with it moving behind you, let the wind take over, or use it to frame a close photograph where you’re almost nose to nose.
Give yourself a few minutes for veil photos before taking it off.
Then stop worrying about making it perfect. Half the charm is laughing when the veil inevitably decides it has plans of its own.
The best wedding dress isn’t necessarily whatever is getting the most saves this month. It’s the dress that makes you stand a little differently when you put it on.
When you’re shopping, think about movement as much as the front view. What happens when you walk? What does the fabric do when you turn? Does the train have shape? Can you hug someone, sit down and actually dance in it?
Basque waists, drop waists, textured fabrics, dramatic veils, bows, scarves and statement accessories can all photograph beautifully. But trends should be inspiration, not instructions.
Your wedding photographs are going to outlive your For You Page.
Wear the thing that makes you look in the mirror and think, Yep. That’s her.
Whimsy works best when it feels discovered rather than announced.
You don’t need butterflies everywhere or an entire fairy garden theme. Whimsy might be wildflowers growing a little imperfectly from the tables, handwritten menus, fruit mixed into your florals, a vintage cake, ribbons moving in the wind, interesting glassware, unexpected shoes or a tiny cake the two of you share together.
It can also come from what you choose to do. Get married somewhere unexpected. Change outfits before the party. Bring your dog. Walk down the aisle together. Have dinner outside under string lights.
The easiest rule is to choose details because you genuinely love them, not because they belong to an aesthetic.
That’s usually when a wedding starts developing an aesthetic of its own.

Let chic create the foundation and let whimsy break a few of the rules.
Start with a handful of strong choices: a beautiful venue, a dress you love, great florals and thoughtful tables. Then let your personalities sneak into everything else.
Maybe your ceremony is elegant, but your cocktail napkins say something ridiculous. Maybe you’re wearing a beautifully structured gown with shoes nobody expects. Maybe dinner is candlelit and gorgeous, then two hours later everyone you love is screaming the lyrics to a song from 2004.
That contrast is what makes weddings interesting.
Everything doesn’t need to match. It just needs to feel like the same two people chose it.
Put more attention into fewer things.
Instead of spreading your budget across twenty little decorative elements, choose a handful of things that completely change how a space feels. Great florals, beautiful lighting, candles, linens, interesting chairs, a strong ceremony installation or a venue that already has character can do far more than another table full of decorations.
And don’t forget about the people.
A beautiful room full of people hugging, laughing, eating and dancing will always feel better than an immaculate room everyone is afraid to touch.
Luxury doesn’t have to mean perfection. Sometimes it simply means everything feels considered.

Absolutely. Just use Pinterest to communicate instead of duplicate.
Send your photographer the photographs you can’t stop thinking about and tell them why.
Maybe you love how much movement there is. Maybe it’s how close the couple feels. Maybe you’re obsessed with the direct flash. Maybe you love the dress, the composition or the fact that the couple doesn’t seem aware of the photographer at all.
That information is incredibly useful.
Asking someone to recreate fifty exact Pinterest photographs isn’t.
Your inspiration should give your photographer a window into your taste while still leaving room for your wedding to happen.
Tell them what matters to you beyond the formal shot list.
Tell them who makes you laugh. Who flew across the country to be there. Whether your mom will probably cry. Whether your dad swears he won’t cry, but you’re pretty sure he’s going to lose it.
Tell your photographer if you’re nervous about photos. Tell them if there’s something you’re self-conscious about. Tell them that your grandmother’s necklace is sewn into your dress, that you spent six months finding your veil, or that your college friends are absolutely taking over the dance floor once dinner ends.
Those things matter.
I can photograph a beautiful wedding without knowing any of that.
But knowing who and what matters to you is how I photograph your wedding.
You don’t need to know professional wedding terminology. Actually, you really don’t.
Collect a handful of photographs and words that describe what you’re drawn to. Your list might look something like:
Chic. Lived in. Warm. Playful. A little whimsical. Fashion forward. Big dinner party. Summer in Italy. Flash after dark. Everyone we love in one place.
That’s enough.
Your planner can translate those feelings into design. Your photographer can translate them into photographs.
You get to concentrate on getting married.
No. But there’s also absolutely nothing wrong with wanting a wedding that photographs beautifully.
You can care about fashion. You can want the Pinterest photo. You can want a dress people talk about, an incredible tablescape and photographs that make you look at your phone afterward and think, How was this actually our wedding?
Just don’t spend the entire day manufacturing those moments.
Build something you genuinely want to experience, then hire people you trust to make it beautiful and document it well.

Stop trying to make every moment worthy of a photograph.
Live it.
Look at your partner. Hold them a little longer. Talk to your grandmother. Laugh with your friends. Eat the cake. Cry if you cry. Let your dress get a little dirty. Dance until your feet hurt.
Your photographer can worry about the photographs.
Your job is to have a wedding worth remembering.
Because twenty years from now, the photographs that matter probably won’t only be the ones where everything looked perfect.
They’ll be the ones that bring something back.
The way they looked at you. Your mom squeezing your hand. Your friends surrounding you on the dance floor. The person you chose standing right there beside you.
Chic is great. Whimsy is fun.
But the best wedding aesthetic will always be the one where you can still see yourselves in it.
If you want wedding photos that feel like you, just a little more chic, I think we’ll get along. I photograph weddings throughout Portland, Oregon, Seattle, Washington, and destinations beyond the Pacific Northwest. Come tell me what you’re planning.
©Andrew Alexander Photography 2023, all rights reserved.
Portland, Oregon Wedding Photographer based in Vancouver, Washington.
Stay connected with me for more inspiration, updates, and where I'm traveling next. Let's create unforgettable memories together.
Andrew@AndrewAlexanderPhotography.com